
Developed an enhancement for the music-computing/amads repository by implementing a new feature that calculates the relative mode of musical scores using pitch-class distribution analysis. This work involved designing and integrating a Python module, relative_mode.py, which processes musical data to improve the precision of mode analysis across diverse scores. The approach leveraged Python programming and data processing techniques to strengthen the library’s analytics capabilities, supporting more robust tonal analysis for both academic research and application development. Throughout the month, the developer focused on disciplined, commit-driven delivery, ensuring seamless integration of the new function into the existing music analysis workflow.
February 2026 (2026-02) monthly summary for music-computing/amads. Focused on expanding music analysis capabilities with a new relative mode calculation based on pitch-class distributions, improving precision of mode analysis across scores. Delivered a new function (relative_mode.py) and integrated it into the analysis workflow. No major bugs fixed this period. Impact: strengthens analytics capability and enables more robust tonal analysis for academic and application use cases, potentially expanding user adoption for advanced music analysis. Technologies/skills demonstrated: Python module development, data-driven music analysis, pitch-class distribution techniques, commit-driven delivery.
February 2026 (2026-02) monthly summary for music-computing/amads. Focused on expanding music analysis capabilities with a new relative mode calculation based on pitch-class distributions, improving precision of mode analysis across scores. Delivered a new function (relative_mode.py) and integrated it into the analysis workflow. No major bugs fixed this period. Impact: strengthens analytics capability and enables more robust tonal analysis for academic and application use cases, potentially expanding user adoption for advanced music analysis. Technologies/skills demonstrated: Python module development, data-driven music analysis, pitch-class distribution techniques, commit-driven delivery.

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